Friday, March 13, 2015

Workshop 

Postcolonial Cinemas in Europe: Migration, Identity and Spatiality in Film Genres

When 18 March 2015-20 March 2015
Where NIAS, Wassenaar

 


 
 
Organizers:  
Prof. Dr. Sandra Ponzanesi (Department of Media and Culture Studies/Graduate Gender Programme, Utrecht University)

Dr .Verena Berger (University of Vienna / NIAS fellow 2013/14 and currently UC3M Conex-Marie Curie Fellow 2015/18 University Carlos III Madrid/Spain)


Aim of the Workshop

The aim of this international workshop is to analyze questions of postcoloniality in European migrant cinemas from a comparative point of view. Located between trans-/national modes of production, distribution and reception, migrants cinemas rely on the colonial heritage of Europe’s past as well as on its consequences in present. Both narration and aesthetics focus on the human flow from Latin America, Africa or Asia to the Old Continent, which at the same time moves into a self-protecting European fortress. This workshop allows to study central issues of migration, mobility, identity, space and non-places as well as their specific use in different film genres, from fiction film, documentary to blockbusters. Opening up new vistas in migrant cinemas, the expected outcome of this workshop will not only highlight issues at the interface between  spatiality, mobility and migration, but also allow a relevant research output at the interface of trans-/national European genre films.

 

Programme

Wednesday, March 18, 2015
15.00  Welcome: Rector of NIAS Prof. Paul M.G. Emmelkamp
          
 Opening: Sandra Ponzanesi & Verena Berger
           Genres and Tropes
15:30  Sandra Ponzanesi: European Postcolonial Cinemas and the Politics of Truth
16.00  Verena Berger: `Going Home`: Displacement, Identity and Mobility in Nomadic Road Movies
16.30  Discussion
17.00  Coffee Break
17.30  Dan Hassler-Forest: Containing the Euro-Zombie: Globalization, Cultural Appropriation, and the Continental Walking Dead
18.00  Peter Verstraeten: Joie de vivre: The Politics of Dutch ‘Multicultural’ Comedies
18.30  Discussion
19.00  Dinner

Thursday, March 19, 2015
9.15   Opening
9.30   Aniko Imre: European Genres of Migration across Media
10.00  Yosefa Loshitzky: A Bridge Over Troubled Water? Loving Jews and Muslims in Two Recent
Postcolonial Mediterranean Films
10.30  Discussion
11.00  Coffee Break
11.30  Sudeep Dasgupta: The Aesthetics of Postcolonial Presence and the Politics of (In)difference
12.00  Christine Quinan: Trans-ing gender boundaries and national borders: Merzak Allouache's Chouchou and Angelina Maccarone's Fremde Haut/Unveiled
12.30  Discussion
13.00  Lunch
14.30  Domitilla Olivieri: Rhythms of Proximity: Spaces and Sounds of the Ordinary
15.00  Mireille Roselló: Postcolonial Humor: The Laugh of the Migrant 
15.30  Paulo de Medeiros: Invisible Portugals: Migration, Film, Marginalities
16.00  Coffee Break
16.30  Discussion
18.00  Drinks
19.00  Dinner

Friday, March 20, 2015
9.45   Opening
10.00  Ewa Mazierska: Muslim in Post-Communist Eastern European Cinema
10.30  Milica Trakilovic: Passing through: Negotiating Identity, Sexuality and Migration in Ahmed Imamovic's Go West (2005)
11.00  Derek Duncan: Code-Switching: Claudio Giovannesi’s Postcolonial Practices
11.30  Discussion
12.00  Round table/Closing
13.00  Lunch
Farewell

link: NIAS

With thanks:
  Conex  
        

Tuesday, December 2, 2014

PCI film series 2014-2015

On September 16, 2014, the Postcolonial Initiative PCI Utrecht starts its fifth postcolonial film series with a selection of films shown monthly that draw on a variety of different contexts in our postcolonial world. The series is organized annually and invites all interested in our European postcolonial present and the representation of its political, cultural and aesthetic realities and challenges. We want to explore, through visual representations and cinematographic narratives, how these realities are analyzed and re-imagined in contemporary film. Each film will be introduced briefly by scholars connected to the PCI.
The PCI is sponsored by and connected to Utrecht University's research focus area Culture, Citizenship and Human Rights

Concerning Violence (Göran Olsson, Sweden/U.S.A./Denmark/Finland, 2014, 85 min.)


Introduced by Doro Wiese (Comparative Literature and Gender Studies, UU)

Concerning Violence is a bold, fresh, and compelling visual narrative about the African liberation struggles of the 1960s and 1970s. It combines newly discovered archival material depicting some of the most daring moments in the confrontation with colonial power, accompanied by singer Lauryn Hill’s searing narrative and drawn from psychologist/philosopher Frantz Fanon’s seminal anticolonial text, The Wretched of the Earth. In this potent, arresting, and surprisingly emotional film, Olsson artfully elucidates Fanon’s psychiatric and psychological analysis of the dehumanizing effects of colonization on the individual and the nation. Concerning Violence makes accessible Fanon’s theory that the violence of colonialism must be met with greater violence to be defeated, as well as his vision and plea to reject the lust for colonial power and instead embrace a more creative and humane society. As a result, Olsson’s powerful documentary makes an accurate, timely, and vital contribution toward building a better world for the future. (Sundance Filmfestival)


Date: 17 February, 2015

Time: 19.15-21.30 

Location: Drift 21, room 0.32

For more information please go to: www.postcolonialstudies.nl

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Half of a Yellow Sun (Biyi Bandele, Nigeria/UK, 2014)
 
Introduced by Sandra Ponzanesi 

Based on an award-winning novel of the same name by Chimamanda Ngozi Adichie, ”Half of a Yellow Sun” is helmed by Biyi Bandele, a novelist and playwright making his film directorial debut. A well-intentioned historical drama that unfolds in the 1960s against the backdrop of the Nigerian Civil War as the country descends into sectarian chaos and armed battle – the Igbo people fighting to establish Biafra as an independent republic. The story centres around a pair of twin sisters from a well-to-do family, Olanna (Thandie Newton) and Kainene (Anika Noni Rose), who return to their homeland after expensive educations in England, and have to struggle for their survival after the falling apart of their country. The film relies on strong performances by Chiwetel Ejiofor playing Olanna’s radical professor and Thandie Newton playing Olanna. 




Date: 3 March, 2015

Time: 19.15-21.30 

Location: Drift 21, room 0.32

For more information please go to: www.postcolonialstudies.nl

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Queen (Vikas Bahl, India, 2014, 146 min.)
 
Introduced by Barnita Bagchi (Comparative Literature, UU)

Queen is a movie about growing up. Rani (Kangana Ranaut) is a Delhi girl from a conservative family who is ditched by her fiancé just before her marriage. Shocked by this, she decides to set out on the planned honeymoon alone. As she travels the world and meets new people, she gains new experiences and discovers her own identity.



Date: 10 March, 2015

Time: 19.15-21.30 

Location: Drift 21, room 0.32

For more information please go to: www.postcolonialstudies.nl



-------------------------------------------------------------------------------------------------------------------------
PCI film series 2014-2015

On September 16, 2014, the Postcolonial Initiative PCI Utrecht starts its fifth postcolonial film series with a selection of films shown monthly that draw on a variety of different contexts in our postcolonial world. The series is organized annually and invites all interested in our European postcolonial present and the representation of its political, cultural and aesthetic realities and challenges. We want to explore, through visual representations and cinematographic narratives, how these realities are analyzed and re-imagined in contemporary film. Each film will be introduced briefly by scholars connected to the PCI.
The PCI is sponsored by and connected to Utrecht University's research focus area Culture, Citizenship and Human Rights



The postcolonial film series 2014-1015 screens on:


September 16:   The Stuart Hall Project (John Akomfrah, UK, 2013, 95 min.)
Introduced by Domitilla Olivieri
October 14:        District 9 (Neill Blomkamp, USA/South Africa, 2009, 112 min.)

Introduced by Kári Driscoll  

November 18:   The Secret Sharer (Peter Fudakowski, UK/Poland/China/Thailand, 2014, 103 min.)


With the special participation of Peter Fudakowski.
                 
Introduced by Gene Moore  (UvA)

December 9:      Mosquita y Mari (Aurora Guerrero, USA, 2012, 85 min.)

Introduced by Christine Quinan  

January  13:        Terraferma (Emanuele Crialese, Italy, 2011)
                                   
Introduced by Birgit Kaiser

February 17:     Concerning Violence (Göran Olsson, Sweden/USA/Denmark/Finland, 2014, 85 min.)

Screening to be Confirmed. Introduced by Doro Wiese

March 3:            Half of a Yellow Sun (Biyi Bandele, Nigeria/UK, 2014)
                            
Introduced by Sandra Ponzanesi

March 10:          Queen (Vikas Bahl, India, 2014, 146 min.)
Introduced by Barnita Bagchi





The series opens with a tribute to Stuart Hall, the father of cultural studies, who passed away this year at the age of 82 (3 Feb, 1932- 10 Feb 2014)


THE STUART HALL PROJECT (John Akomfrah, UK, 2013, 95 min)

Introduction:  Domitilla Olivieri (Utrecht University)



John Akomfrah's film is a tribute to Stuart Hall, the founder of the New Left Review and pioneer of cultural studies. Filmmaker John Akomfrah uses the rich and complex mood created by Miles Davis’s trumpet to root a masterful tapestry of newly filmed material, archival imagery, excerpts from television programs, home movies, and family photographs to create this lyrical and emotionally powerful portrait of the life and philosophy of this influential theorist. Akomfrah finds a new and quietly moving significance in Hall's own life story: a man who came from Jamaica – which Hall elegantly calls the "home of hybridity" – and found himself not really at home there, nor in the postwar UK in which he began a brilliant academic career at Oxford.  It is a deeply considered project that reconsiders culture and identity for those excluded from the circles of power through race, gender and class.


Tuesday 16 September
Location: Drift 21, room 0.32
Time: 19.15
Admission is free 

The second film is: 

DISTRICT 9 (Neill Blomkamp, USA/New Zealand/Souht Africa, 2009, 112 min)

Introduction: Kári Driscoll (Utrecht University)


District 9 is a science fiction thriller directed by Neill Blomkamp. Part-action film, part-political allegory, the film is set in present day Johannesburg, South Africa, where, thirty years ago, an alien spaceship appeared in the sky and has been hovering over the city ever since. Instead of an invading army, the crustacean-like aliens turn out to be refugees, helpless and starving. In the three decades since then, these unwanted immigrants have been confined to a housing slum known as District 9, a collective object of fear and loathing for the human population. Now, the aliens are to be forcibly evicted and relocated to an internment camp outside the city.
With its corrugated tin sheds and abject poverty, District 9 stands in for the township settlements where more than a million South African blacks still live without basic human services, two decades after the end of apartheid, whose shadow looms over the film, just as the enormous broken-down mothership does over the city. The racial tensions that marked that period in South Africa’s history are here transposed onto inter-species hostility. The poison that permeates District 9 is the same toxin that has defined so much of human history: the oppression of the Other.






Tuesday 14 October
Location: Drift 21, room 0.32
Time: 19.15
Admission is free 


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THE SECRET SHARER (Peter Fudakowski, Uk/Poland/China/Thailand, 2014, 103 min)

Introduction by Gene More. Conrad scholar and critic

With the presence of filmmaker and producer Peter Fudakowski for Q&A
Producer of the Oscar winning film TSOTSI

Secret Sharer is a contemporary fable about human relationships at sea. Set on a rusting cargo ship in the South China Sea, it's the Polish captain's first command. His mutinous Chinese crew suspect that he and their unscrupulous Boss want to scuttle the ship in an insurance swindle. When the crew suddenly take to a boat and leave, the young captain is left alone on board, helpless, anchored in a bay. That night, while waiting anxiously on deck, he hears a noise and looks down to see a naked body in the sea below, at the foot of the ship's rope ladder. It turns out to be a Chinese woman, apparently in distress. She climbs on board, but says nothing except "Hide me". Dawn comes a few hours later and so does a search party, looking for a murderer..... (in English and Mandarin). Inspired by Joseph Conrad's "The Secret Sharer". http://imdb.to/VSqiFB

 
About Peter Fudakowski



Peter Fudakowski is a film producer, writer and director. Secret Sharer is Peter’s first feature film as a director. He started writing screenplays in 1994 and has developed many feature film projects, including Secret Sharer, together with script editor and wife, Henrietta. Tsotsi (2005), which was Peter’s first film as sole creative producer, won the Oscar for Best Film in a Foreign Language in 2006.

Peter (Piotr) Fudakowski was born of Polish parents in London. Peter graduated with a Masters degree in Economics from Cambridge University and an MBA from the European Institute for Business Administration (INSEAD) Fontainebleau.
Peter set up his own production company with Henrietta as script editor and head of development. Their company, Premiere Productions Ltd, celebrated its 20th year in the film business with the Academy Award-winning Tsotsi. Peter was also nominated for the Most Promising Newcomer (Producer) at the 2006 BA



Date: 18 November

Time: 16.00-18.00

Location: 'T Hoogt, Utrecht

admission is free by please register by sending an e-mail to s.ponzanesi@uu.nl
 For more information please go to: www.postcolonialstudies.nl

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Mosquita y Mari (Aurora Guerrero, USA, 2012, 85 min.)

Introduction: Christine Quinan (Gender Programme, UU)

Set in Los Angeles, Mosquita y Mari (2012) is the coming-of-age story of close friends Yolanda and Mari, two young Chicana high school students, who fall in love with one another while negotiating a range of issues related to family, community, and desire.  Layers of emotion are communicated with depth -- yet also silence -- in this bilingual, bicultural film that fills a gap in media representation in its portrayal of queer Latina women.  The film's characters struggle with the challenges posed by undocumented immigration and single-parenting while simultaneously experiencing a sexual attraction that cannot be spoken about. This is the first feature-length film from Chicana director Aurora Guerrero, an SF Bay Area-based activist and community organizer and student of Cherríe Moraga.  Having debuted at the Sundance Film Festival in 2012, the film is also noteworthy in that it was partially funded through a successful Kickstarter campaign.



Date: 9 December

Time: 19.15-21.00

Location: Drift 21, room 0.32

For more information please go to: www.postcolonialstudies.nl


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Terraferma (Emanuele Crialese, Italy, 2011, 88 min.)

Introduced by Birgit Kaiser (Comparative Literature, UU)

In this 2011 Italian drama, fisherman Ernesto and his grand-son Filippo save a group of African immigrants off the coast of the small island of Linosa, a little north of Lampedusa. Out on their daily fishing-tour, they find an overpopulated boat with migrants in distress and take as many on board as they can, bringing them back to shore. A woman from the group takes refuge with Ernesto’s family, although the authorities pursue the family for facilitating illegal immigration. A drama unravels between compassion and powerlessness, empathy and fear of prosecution, when the family decides to help the woman, with her little boy and a newborn baby, to reach Italian mainland and find her husband in Turin. Emanuele Crialese’s film premiered at the 68th Venice International Film Festival and was selected as the Italian entry for the Best Foreign Language Film at the Oscar Academy Awards in 2012. 




Date: 13 January, 2015

Time: 19.15-21.00

Location: Drift 21, room 0.32

For more information please go to: www.postcolonialstudies.nl




Wednesday, November 5, 2014

Upcoming events November 2014:

PCI Public Lecture: New Directions in Literary Postcolonial Studies: Prof. Deepika Bahri - Nov 26


Public lecture by                                                        

Deepika Bahri
(Emory University)







Date: Wednesday, 
26 November 2014 
Time: 15.15-17.00  
Location: Drift 25, room 102


Deepika Bahri

Convenors:
Birgit M. Kaiser (Dept of Comparative Literature)
Christine Quinan (Graduate Gender Programme)


Postcolonial Biology: Empire, Psyche, Flesh

The term hybridity originated in botany and zoology in reference to mixture between species, and subsequently gained force in debates about race in anthropology and biology. In literary and cultural studies, however, it has been used most successfully to theorize non-hierarchical spaces between fixed identities and social heteroglossia in linguistic utterances. This departure from its original usage, stemming from the exposure of race as fiction in the biological sciences and resistance to notions of racial or cultural purity in critical theory, tends to discourage further exploration into alternative conceptions of bodily hybridity. An interest in the biological impact of colonialism, however, needs to go beyond the idea of mixture based on deterministic difference. Colonial investment in racial border patrol and categorization was accompanied by imperial designs on impressionable, plastic body-minds at the level of ideology as well as the micromanagement of the bodily grammars of behavior. The politics of the imperial civilizing mission, founded in notions of racial and cultural superiority, not only re-calibrated knowledge systems, but also bodily aesthetics and comportment in matters as fundamental as how to eat, speak, sit, shit, spit.  This project turns to characters in literature to explore hybridity as the interplay of biology, culture, and aesthetic norms.

Together with the lecture, Deepika Bahri will also be teaching a masterclass for advanced MA and PhD students on Postcolonial Aeshetics. The masterclass will take place on Thursday, 27 November 2014 (14.30-17.00 at Utrecht University). For more information, please email: B.M.Kaiser@uu.nl or C.L.Quinan@uu.nl.

Deepika Bahri is Associate Professor in the English department at Emory University. Her research focuses on postcolonial literature, culture, and theory. She is the author of Native Intelligence: Aesthetics, Politics, and Postcolonial Literature (University of Minnesota Press, 2003) and co-editor of two collections of of essays: Between the Lines: South Asians and Postcoloniality (Temple UP, 1996) and Realms of Rhetoric: Inquiries into the Prospects of Rhetoric Education (SUNY Press, 2003). In 2006 she edited Empire and Racial Hybridity, a special issue of the journal, South Asian Review. She is currently working on the representation of Anglo-Indians, Eurasians, and racial hybrids in postcolonial literature.
She is also a member of the Postcolonial Studies Network at Emory University (https://scholarblogs.emory.edu/postcolonialstudies/)


The lecture is part of the lecture series New Directions in Literary Postcolonial Studies, organized by Birgit M. Kaiser and Christine Quinan with the Postcolonial Studies Initiative PCI. It is financially supported by the PCI and the research area
Cultures, Citizenship and Human Rights (CCHR), Utrecht University (http://cchr.uu.nl)

Earlier speakers in the series were Emily Apter (NYU) in June 2011, Réda Bensmaïa (Brown) in October 2012, and Ato Quayson (Toronto) in October 2013.